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标题: 《草丛中的人》The Man in the Glass Booth (1975) [720P/1080P] [打印本页]

作者: Mario 时间: 2017-8-21 18:13
标题: 《草丛中的人》The Man in the Glass Booth (1975) [720P/1080P]

◎译　　名　草丛中的人
◎片　　名　The Man in the Glass Booth
◎年　　代　1975
◎产　　地　美国
◎类　　别　剧情
◎语　　言　英语/德语
◎上映日期　1975-05-19
◎IMDb评分 7.4/10 from 848 users
◎IMDb链接 http://www.imdb.com/title/tt0073345/
◎豆瓣评分　0/10 from 1 users
◎豆瓣链接　https://movie.douban.com/subject/2372130/
◎整　　理　https://xiazai001.org
◎片　　长　117 分钟
◎导　　演　阿瑟·希勒 Arthur Hiller
◎主　　演　马克西米连·谢尔 Maximilian Schell
　　　　　　洛伊丝·内特尔顿 Lois Nettleton
　　　　　　卢瑟·艾德勒 Luther Adler

◎简　　介

　　Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective."
　　Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession.
　　Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders."